P Carl is the director and co-founder of HowlRound, a free and open platform for theater-makers worldwide that amplifies progressive ideas about the art form and facilitates connection between diverse practitioners. He is also the co-artistic director of ArtsEmerson at Emerson College where he develops, dramaturgs, and presents a provocative array of contemporary theater from diverse artists around the globe. His most recent projects include commissioning and dramaturgy for the February 2018 world premiere of Claudia Rankine’s new play, The White Card, and dramaturgy for Melinda Lopez’s Mala (2017 Elliot Norton Award winner for Outstanding New Script), Jessica Blank and Erik Jensen’s How to Be a Rock Critic, and Deborah Stein and Suli Holum’s The Wholehearted.
Operating from the core belief that theater is for everyone, Carl seeks to use the power of live performance in concert with opportunities for international dialogue and activism to foster personal and political transformation through the shared experience of art. He is a distinguished artist-in-residence on the Emerson faculty and a frequent writer and speaker on the evolution of theater practice and theory. Carl was named Theater Person of the Year in 2015 (National Theater Conference) as well as Alumni of Notable Distinction (University of Minnesota). He is the former producing artistic director of the Playwrights’ Center in Minneapolis, the former director of artistic development at Steppenwolf Theatre in Chicago, and holds a PhD in comparative studies in discourse and society from the University of Minnesota. Carl was born in Elkhart, Indiana, and now lives in Boston.
Other videos in this series
Art is powerful. Playwright Luis Alfaro shares how he uses art to stimulate the imaginations of those who might not be able to see a better life for themselves. He writes plays with narratives that allow people to envision themselves as free in the world.
Art can change lives for the better. Author Sandra Cisneros writes books that allow young people to see themselves represented on the page. As she says, when people see themselves represented in a way that is empowering, they feel more able to make a difference in the world.
Art is a way to shift reality and make an impact beyond the cultural field. Samuel Hoi cites Good Chance Theater staging shows at a refugee camp in northern France as an example of how art can uplift human rights.
Art can be a tool of resistance and beauty. Poet Robin Coste Lewis details how poetry helped her see her body as an aesthetic and political tool, and how art can allow marginalized communities to be seen and included.
Art can be used to create dialogue between people and break “us-versus-them” mentalities. The collective Postcommodity discusses how it uses art to uplift communities and ensure they have agency to communicate their own needs and desires.
Art allows us to re-anchor into our humanity. In his work, artist Ping Chong creates spaces for ordinary citizens to speak their own truth on stage. In this way, he heals and affirms people, and helps create a society that’s more just and more humane.
Art can connect us across time. Poet Nikky Finney draws on stories from the past to challenge artists to continue their efforts for social change. She believes artists should heed lessons from the past and bring them into the future.
Art gives us the ability to see other cultures and to look at the world anew. Director Mira Nair uses film to tell stories of marginalized communities that are not often represented on screen. She believes art can help people see their place in the world.
Art can represent social change, and tap dancer Michelle Dorrance believes the history of American culture can be seen in the history of tap—early tap dancers were catalysts for social change. By referencing the past and showing a vision for the future, dance can change the world.
Art has the power to make a big impact in our world. Musicians and educators Alicia Hall Moran and Jason Moran believe art has the potential to connect people and challenge inequalities. Through art, we can bridge the gap between past and present, and learn more about each other.
Art allows us to reveal our identities. President of First Peoples Fund Lori Pourier sees artists as changemakers in society who can help restore history and educate us about our past. In this way, artists can restore both public history and personal identity.
Art gives us the opportunity to create change in communities. The art duo Las Nietas de Nonó use art to share voices of underserved communities in Puerto Rico. They believe in creating theater in alternative spaces, where people’s voices can be heard and a genuine exchange of voices takes place.
Artists can give vision to a community. Poet Joy Harjo uses her art to strive for gender justice. She believes artists have a responsibility towards growing the communities they’re in, creating a vision for those around them and fostering compassion.
Art can help heal people. Grammy-winning musician Esperanza Spalding believes artists, through practicing their craft, can experiment and reposition their work to find the best ways to help and encourage people to transform negative situations for the better.
Art can transport us to different places and connect us to each other. Novelist Edwidge Danticat uses her writing to share stories that dispel stereotypes and help foster greater understanding. She believes that breaking bias is done through sharing stories.
Art encourages healing by connecting stories between people. Deborah Luster knows firsthand how art can help others heal. She channeled the pain she felt after her own loss to help bring about healing in a prison community.
Artists are cultural strategists working to eliminate oppression and dismantle inequality, says performance artist Carlton Turner. He explains how artists take community work and engage in social transformation by giving voice to those who’ve been disenfranchised. Communities can shift because of the work artists are doing.