Ping Chong is a theater director, choreographer, and video installation artist. Born in Toronto and raised in New York City’s Chinatown, he is a seminal figure in the Asian American arts movement and a pioneer in the use of media in theater. His theatrical works bring his unique artistic vision to bear on major historical issues of our times and focus on bringing unheard voices and underrepresented stories to the stage. Encompassing puppetry, dance, documentary theater, sound, and other experimental theater forms, his works have explored a wide variety of subjects, from a hidden genocide in Africa to modernization in China to the experiences of Muslim youth in post-9/11 America. Throughout, the common thread has been a unifying commitment to artistic innovation and social responsibility.
Since 1972, as founder and artistic director of Ping Chong + Company, he has created over 100 productions which have been presented at major theaters, festivals, and museums worldwide. Major interdisciplinary works include Collidescope: Adventures in Pre- and Post-Racial America (with Talvin Wilks; University of Maryland, 2013; University of Massachusetts Amherst, 2015; Wake Forest University, 2017), Throne of Blood (Brooklyn Academy of Music, Oregon Shakespeare Festival, 2010), Cathay: Three Tales of China (John F. Kennedy Center for the Performing Arts, 2005), Kwaidan (Center for Puppetry Arts, Jim Henson Festival, 1998), Deshima (Mickery Workshop, 1990), Nosferatu (La MaMa, 1985/1991), Angels of Swedenborg (1984/2011), among many others.