Ping Chong is a theater director, choreographer, and video installation artist. Born in Toronto and raised in New York City’s Chinatown, he is a seminal figure in the Asian American arts movement and a pioneer in the use of media in theater. His theatrical works bring his unique artistic vision to bear on major historical issues of our times and focus on bringing unheard voices and underrepresented stories to the stage. Encompassing puppetry, dance, documentary theater, sound, and other experimental theater forms, his works have explored a wide variety of subjects, from a hidden genocide in Africa to modernization in China to the experiences of Muslim youth in post-9/11 America. Throughout, the common thread has been a unifying commitment to artistic innovation and social responsibility.

Since 1972, as founder and artistic director of Ping Chong + Company, he has created over 100 productions which have been presented at major theaters, festivals, and museums worldwide. Major interdisciplinary works include Collidescope: Adventures in Pre- and Post-Racial America (with Talvin Wilks; University of Maryland, 2013; University of Massachusetts Amherst, 2015; Wake Forest University, 2017), Throne of Blood (Brooklyn Academy of Music, Oregon Shakespeare Festival, 2010), Cathay: Three Tales of China (John F. Kennedy Center for the Performing Arts, 2005), Kwaidan (Center for Puppetry Arts, Jim Henson Festival, 1998), Deshima (Mickery Workshop, 1990), Nosferatu (La MaMa, 1985/1991), Angels of Swedenborg (1984/2011), among many others.

Playing videos

  • All videos produced by the Ford Foundation since 2020 include captions and downloadable transcripts. For videos where visuals require additional understanding, we offer audio-described versions.
  • We are continuing to make videos produced prior to 2020 accessible.
  • Videos from third-party sources (those not produced by the Ford Foundation) may not have captions, accessible transcripts, or audio descriptions.

In 1992, he created the first Undesirable Elements production, an ongoing series of community-based oral history projects, working with real people to explore issues of culture and identity. Representative works in the UE Series include Beyond Sacred: Voices of Muslim Identity (LaGuardia Performing Arts Center and touring, 2015) Inside/Out: Voices from the Disability Community (Kennedy Center, 2008), Cry for Peace: Voices from the Congo (Syracuse Stage, 2010), and Gaijin (Yomiuri Prize, Tokyo Metropolitan Theatre, 1995). His puppet theater work ALAXSXA|ALASKA premiered in August 2017 at the University of Alaska Anchorage and will be presented at La MaMa in October. Theatre Communications Group has published two volumes of his plays, The East/West Quartet and Undesirable Elements: Real People, Real Lives, Real Theater. Chong is the recipient of a Guggenheim Fellowship, a USA Artist Fellowship, two Bessie Awards, two Obie Awards, a Doris Duke Performing Artist Award, and a 2014 National Medal of Arts. He lives in New York City.

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