Indisposable: Tactics for Care and Mourning is the follow-up to Indisposable: Structures of Support after the Americans with Disabilities Act, a three-year collaboration with more than thirty artists and scholars that emerged as eight online chapters each addressing the urgent questions of the moment where COVID-19 pandemic and demands for racial justice laid bare that some lives – especially disabled, queer, Black, Indigenous, and people of color (BIPOC) – are deemed disposable. These chapters serve as a unique archive of the ways in which artists and scholars responded to the intertwined histories of ableism and racism, delving into the profound questions of what makes our lives livable? How do we afford our own existence and what happens when we cannot? Who creates the means by which we survive; or, were we ever meant to survive? Where are we seen as disposable, and why?

Indisposable: Tactics for Care and Mourning extends these conversations and questions by focusing on two topics critical to all eight chapters: care and mourning. The artists of Indisposable address the difficult work of not just how to care and to mourn for those deemed disposable but how to activate that work into tactics for insisting on our indisposability.

The artists in the exhibition are committed to resisting the oppressive ideologies of bodily productivity and “normalcy” that have been used as markers of human worth. Their work offers audiences the chance to consider new tactics for care and mourning, activist strategies emerging from within and uplifting communities living in precarity.

Image caption: Raisa Kabir, NO PROTECTION, 2020, Tufted wool yarn, 6 panels 20 x 24 x 4 inches each.