THIS IS NOT A RETREAT! NXTHVN Through the Years

5 june – 2 august 2025


A vibrant artwork shows a portrait of a Black woman layered with patterns on her head set over a painted silhouette of a seated figure, surrounded by colorful flowers on an orange, red, and yellow background.

Curated by Marissa Del Toro

Since 2018, NXTHVN has catalyzed the careers of 41 artists and 12 curators through a 10-month intensive Fellowship Program of mentorship, professional development, and hands-on training. Co-founded by Titus Kaphar and Jason Price, NXTHVN is a space where creatives expand their skills, network, and confidence. This presentation of artworks created by NXTHVN alumni artists is a reminder of the strength and power of network, camaraderie, and support founded through art education and residencies. At a time when initiatives and support for the arts are being eliminated, NXTHVN stands firm in supporting the work of talented artists and curators from around the world. 

THIS IS NOT A RETREAT! underscores the work and history of NXTHVN as an arts model that empowers artists and curators through education and access to a vibrant ecosystem. Each year at the beginning of the fellowship program, Kaphar advises the newly admitted fellows that their time at NXTHVN will be quick but special with a reminder that “this [experience] is not a retreat.” Instead, it is a space where artists and curators learn to fortify themselves with entrepreneurial knowledge, deeper creative purpose, inspiration, and greater community. This exhibition honors the individuals who have contributed, experienced, supported, and made NXTHVN into a prominent institution where access, knowledge, independence, excellence, artistic liberation, and innovation flourish. 

This presentation brings together a grouping of NXTHVN’s alums from Cohort 01 to 05 through a selection of artworks from supportive collectors who have acquired significant pieces from these artists. Presented in ode of a salon hang, the included artworks converse on a variety of topics and styles, from repetitive vibrational healing energy to expressive strokes of subconscious world-building. Through a range of media, including painting, large-scale drawing, sculpture, and photography, THIS IS NOT A RETREAT! highlights the distinct impressions of these artists within contemporary art.

Exhibiting artists: Felipe Baeza, Layo Bright, Allana Clarke, Alexandria Couch, Kenturah Davis, Anindita Dutta, Daniel Tyree Gaitor-Lomack, Merik Goma, John Guzman, Eric Hart Jr., Fidelis Joseph, Alyssa Klauer, Africanus Okokon, Esteban Ramón Pérez, Jamaal Peterman, Alexander Puz, Patrick Quarm, Athena Quispe, Daniel Ramos, Ilana Savdie, Alisa Sikelianos-Carter, Vaughn Spann, Capt. James Stovall V, Warith Taha, and Vincent Valdez.

Image detail: Patrick Quarm, So We Dey, 2024, Mixed media: acrylic and oil on African print fabric, wooden cornice, 75 x 58 x 30 inches, 3 layers. Courtesy of the Artist.

About the Curator

Marissa Del Toro is Assistant Director of Exhibitions and Programs at NXTHVN in New Haven, CT. Since 2021, Del Toro has also worked with Museums Moving Forward, a data-driven initiative to support greater equity and accountability in art museum workplaces. Previously, she served as 2021-2022 Curatorial Fellow at NXTHVN and as the 2018-2020 Diversifying Art Museum Leadership Initiative (DAMLI) Curatorial Fellow at Phoenix Art Museum. She holds an MA in Art History from the University of Texas at San Antonio, and is originally from Southern California, where she received her BA in Art History from the University of California, Riverside. 

About NXTHVN

NXTHVN is a groundbreaking institution that combines the best of arts and entrepreneurship. Through access, education, programming, and impact investing, NXTHVN launches the careers of artists and curators and strengthens the livelihood of its local community. Located in the historically African American Dixwell neighborhood of New Haven, CT, the expansive adapted-reuse campus houses gallery, studio, library, office, coworking, performance, and living spaces in addition to a forthcoming storefront cafe. Cornerstone programs include a renowned fellowship to educate and accelerate emerging and underrepresented artists and curators, paid arts apprenticeships for local high school students, and business incubation to nurture cultural and capital value in the neighborhood. Co-founded in 2018 by acclaimed visual artist Titus Kaphar and private equity investor Jason Price—both longtime residents of New Haven—NXTHVN represents a new national arts model for developing an equitable society. Learn more at www.nxthvn.com.

Felipe Baeza
Layo Bright
Allana Clarke
Alexandria Couch
Kenturah Davis
Anindita Dutta
Daniel Tyree Gaitor-Lomack
Merik Goma
John Guzman
Eric Hart Jr.
Fidelis Joseph
Alyssa Klauer
Africanus Okokon
Esteban Ramón Pérez
Jamaal Peterman
Alexander Puz
Patrick Quarm
Athena Quispe
Daniel Ramos
Ilana Savdie
Alisa Sikelianos-Carter
Vaughn Spann
Capt. James Stovall V
Warith Taha
Vincent Valdez

Exhibition installation information

A painted rainbow artwork next to the entrance of the Ford Foundation Gallery.
Bronze-framed doors open showing a glimpse into the gallery exhibition titled “THIS IS NOT A RETREAT!”
A green gallery interior with a white desk to the left, various hanging artworks of different mediums and a stone sculpture.
A gallery wall with multi-media artworks of vibrant colors.
A corner of a gallery exhibiting various artworks against a green painted wall.
A green gallery wall with various hanging artworks that are multi-media, painted canvas, and photography.
A corner of a gallery exhibition displaying various artworks and yellow vinyl text on the wall.
A green gallery wall with different artworks, one of the works features a graphite drawing of a Black woman on sheets of paper.
A corner of a gallery wall with hanging artworks that are framed and also of various mediums.
An installation view of a gallery exhibition featuring a salon-style wall of works. There is an L-shaped bench and cushions for guests to sit and read.
A wall with various sculptural artworks - some works are made of glass, boots, painted canvas and more.
A diagonal wide-shot installation view of a gallery exhibition that features artworks salon-style.
A diagonal wide-shot installation view of a gallery exhibition that features artworks salon-style.
PHOTOS SEBASTIAN BACH

A painting of a neon rainbow with a black arch. The background has light blue splatter paint.

Vaughn Spann

(Florida, USA, b. 1992, lives and works in New Haven, CT)
By your side (big black rainbow), 2020
Polymer paint, Flashe, terry cloth, canvas on stretcher bars
84 x 80 inches
Courtesy of Bennet H. Grutman
Photo Sebastian Bach

A mixed-media collage of two human silhouettes, one with a detailed face, sitting on a sofa with flowers behind their shoulders.

Patrick Quarm

(Ghana, b. 1988, lives and works in Accra, Ghana)
So We Dey, 2024
Mixed media: acrylic and oil on African print fabric, wooden cornice
75 x 58 x 30 inches, 3 layers
Courtesy of the Artist
Photo Sebastian Bach

An amorphous sculpture that resembles a rock.

Allana Clarke

(b. 1987, lives and works in Detroit, MI)
Our Bloodline, 2020
30 Sec hair bonding glue
26 x 32 x 7 inches
Courtesy of Bennet H. Grutman
Photo Sebastian Bach

A semi-transparent painting of the silhouette of a girl layered over stenciled images of wheat and a paintbrush.

Alyssa Klauer

(Louisiana, USA, b. 1995, lives and works in New York, NY)
Allegory of Painting II, 2022
Acrylic and oil on canvas
10 x 8 inches
Collection of The Kaphars
Photo Sebastian Bach

A watercolor print of a two-armed monstrous figure with flames coming out of its mouth.

Felipe Baeza

(Mexico, b. 1987, lives and works in New York, NY)
Beyond the Vessel, 2024 
Watercolor monoprint, photolithography, screenprint, pochoir, and collage
18 ⅝ x 14 ⅝ inches
Courtesy of the Artist
Photo Courtesy Maureen Paley, London; kurimanzutto, Mexico City/New York


An illustration of flames with a pair of eyes in the center.
An illustration of a figure with their hands in the air being consumed by streaks which resemble strands of hair or individual flames.

Felipe Baeza

(Mexico, b. 1987, lives and works in New York, NY)
Acoge al fantasma, 2024 
Photogravure and hard ground etching with chine collé, collage, and mica dust flocking
11 ¼ x 11 ¼ inches

Flesh and Possibility, 2024
Photogravure, and hard ground etching, woodblock, with chine collé and collage
11 ¼ x 11 ¼ inches

Courtesy of the Artist
Photo Courtesy Maureen Paley, London; kurimanzutto, Mexico City/New York

An abstract painting with a snaking tentacle being grasped by a human hand.

Ilana Savdie

(Florida, USA, b. 1986, lives and works in New York, NY)
Chispita, 2020
Oil and beeswax on canvas mounted on panel
12 x 16 inches
Collection of Jason and Christina Price
Photo Sebastian Bach

An abstract painting of a geometric cityscape against a smoky purple sky.

Jamaal Peterman

(Florida, USA, b. 1990, lives and works in New York, NY)
Night Cap, 2024 
Acrylic, sand, vinyl glitter on canvas
48 x 48 inches
Courtesy of the Artist
Photo Sebastian Bach

A sculpture of a phallic metal object attached to a slanted, jagged rock by a length of twine which wraps around them both.

Daniel Tyree Gaitor-Lomack

(New Jersey, USA, b. 1988, lives and works in Los Angeles, CA)
Free Lancer (Prometheus), 2020
Wooden antique chair leg, steel fence cap, and rope on jagged stone
33 x 21 x 7 inches overall
Courtesy of the Artist
Photo Sebastian Bach

A painting on linen of a silhouetted figure with a head made of interwoven braids and a black hole in its chest.

Alisa Sikelianos-Carter

(Florida, USA, b. 1983, lives and works in New York, NY)
We Could be Related (You Know Who You are), 2021
Acrylic, gouache, glitter, and collage on linen with velvet obsidian
102 ½ x 44 ½ inches
Collection of Suzanne McFayden
Photo Sebastian Bach

A painting of a monstrous figure composed of a pile of limbs at the entrance of a hallway. A human hand extruding from the creature holds a lit match.

John Guzman

(Texas, USA, b. 1984, lives and works in New Haven, CT)
Put it away, for a while, 2020
Oil on canvas
74 x 63 inches
Collection of The Kaphars
Photo Sebastian Bach

A star-designed fabric painting hung by a pole decorated with bird feathers

Esteban Ramón Pérez

(California, USA, b. 1986, lives and works in Los Angeles, CA)
Distorted Myths (Popo y Izta), 2021
Urethane on leather, metallic flake, nickel plated upholstery nails, pheasant pelt and tail feathers, peacock blade and bleached tail feathers, wood
132 x 102 inches
Collection of The Kaphars
Photo Sebastian Bach

A framed photo of a Black woman sitting behind an open box with bread and roses spilling out of it.

Merik Goma

(Michigan, USA, b. 1987, lives and works in New Haven, CT)
As I Wait: Untitled #6 (Bread & Rose), 2019
C-print
40 x 60 inches
Collection of The Kaphars
Photo Sebastian Bach

A painted textile collage of a two-headed Black girl with intertwining braids lying in grass, having a birthday picnic and crying.

Alexandria Couch

(Ohio, USA, b. 1998, lives and works in New Haven, CT)
Gateway I: Tears In the Grass, 2024
Iron gate, quilted monoprints, acrylic, and found fabric on canvas
102 x 60 inches
Courtesy of the Artist
Photo Sebastian Bach

A painting on linen of a human silhouette that is mirrored at the waist so that one half of the body is upside right and the other is upside down. Both figures have tree root-like shapes instead of heads

Alisa Sikelianos-Carter

(New York, USA, b. 1983, lives and works in New York, NY)
Meet Me On The Other Side, 2021
Acrylic, gouache, pearl mica, black mica, and glitter on linen with velvet 
103 x 44 ½ inches
Courtesy of the Artist
Photo Sebastian Bach

A photographic print that features photos of a Black woman wearing a red and white striped shirt overlapped with a photo of three women with a gradient of orange and blue on a white background.
A photographic print that features photos of three women distorted by striped lines with a gradient of orange to yellow, blue, and black ink on a white background.
A photographic print that features photos of three women wearing hair scarves looking off camera with a gradient of yellow to blue and black ink on a white background.

Africanus Okokon

(b. 1989, lives and works in Providence, RI)
Give the Picture (Seconds 1-3), 2022
Silkscreen on paper
27 ½ x 25 ½ inches each
Courtesy of the Artist
Photos Jason Wyche

A drawing of a Black woman in motion on sheets of large paper.

Kenturah Davis

(California, USA, b. 1980, lives and works in Altadena, CA)
Contending with Contingency V, 2021
Carbon pencil rubbing on debossed paper, mounted 
87 × 132 ½ inches
Collection of Suzanne McFayden
Photo Sebastian Bach

A mixed media sculpture of a textile stretched vertically across a rectangular steel frame that is decorated with thin metal leaves.

athena quispe

Love, Light, & Darkness, 2023
Cochineal, human fluids, ink, polymer, steel, pulverized citrine, pulverized moonstone and sunstone, powdered pigment 
35 x 8 inches
Collection of The Kaphars
Photo Chris Gardner

An etching featuring a raised arm broken free from chains.

Vincent Valdez

(Texas, USA, b. 1977, lives and works in Houston, TX)
Untitled, 2021  
Etching gravure
25 x 21 inches
Printer: Hare and Hound Press
Barbara Shuster Collection
Photo Sebastian Bach

A grey-scaled photograph of a person lying in a pile of leaves with only their head and shoulders exposed.

Daniel Ramos

(Illinois, USA, b. 1978, lives and works in New York, NY)
Pilo In Leaves, Lampazos De Naranjo, Nuevo León, Mexico, 2016
Archival inkjet print
30 x 40 inches
Collection of The Kaphars
Photo Sebastian Bach

An abstract painting of gestural brushstrokes to create what appears to be a ramming bull.

Fidelis Joseph

(Nigeria, b. 1989, lives and works in New York, NY and New Haven, CT)
Bazara, 2024
Oil, oil stick, acrylic spray paint, auto spray paint, and oil pastel on canvas
76 x 64 inches
Courtesy of Bennet H. Grutman
Photo Sebastian Bach

A framed grey-scaled photograph of a Black man squatting on top of a car, resting a rifle on his shoulder. Three people are seated in the car below him. It is a dark night, and the light only illuminates the subjects.

Eric Hart Jr.

(Georgia, USA, b. 1999, lives and works in New York, NY)
When I Think About Power, No. 13, 2019
Photography printer on matte paper
30 x 45 inches
Collection of The Kaphars
Photo Sebastian Bach

A mixed-media sculpture of discarded furniture amalgamation. There’s an extended arm in which a bundle of magazine clippings of Black women dangle off by thread.

Warith Taha

(California, USA, b. 1987, lives and works in Oakland, CA)
A Constellation is an Agreement Between Stars, 2022
Acrylic on sculptural stretcher with found objects
29 x 25 x 2 ½ inches
Collection of the Artist
Photo Jason Wyche

A painting across a light grid of a Black woman in profile wearing hoop earrings.

Kenturah Davis

(California, USA, b. 1980, lives and works in Altadena, CA)
Recalibration, 2019
Oil painting applied with rubber letter stamps on colored ground with color monoprint on Igarashi Kozo paper
29 x 21 inches
Courtesy of Bennet H. Grutman
Photo Sebastian Bach

Glass mask of a face with a collar of leaves extending from the chin.

Layo Bright

(Nigeria, b. 1991, lives and works in New York, NY)
Visions VII, 2022
Kiln formed glass
14 ½ x 15 x 4 inches
Courtesy of the Artist
Photo Sebastian Bach

A wall-mounted hanging sculpture of leather boots with animal horn heels adhered to an animal hide.

Anindita Dutta

(India, b. 1973, lives and works in New Haven, CT)
Sex, Sexuality, and Society – BOTSWANA, 2023
Used shoes, animal horn, hide
91 x 81 x 13 inches
Courtesy of the Artist
Photo Chris Gardner

Glass mask of a face covered in flowers with only the mouth and chin exposed underneath.

Layo Bright

(Nigeria, b. 1991, lives and works in New York, NY)
Magenta Bloom, 2024
Kiln formed and sand blasted glass, 23k gold
14 x 11 ½ x 4 inches
Courtesy of the Artist
Photo Sebastian Bach

A painting of hands holding a baby wearing a ski mask, whose arm is tattooed with the name “Shirley”. The painting sits on top of a shelf with other various statuettes.

Capt. James Stovall V

(California, USA, b. 1986, lives and works in Altadena, CA)
Shirley, 2023
Acrylic, oil pastel, and charcoal on linen with wooden ledge and porcelain figures
38 ½ x 48 inches
Courtesy of the Artist
Photo Chris Gardner

An abstract painting of a blue gradient pattern of curved lines with a smooth, screen-like texture.

Alexander Puz

(California, USA, b. 1989, lives and works in Baltimore, MD)
Bridge From the Actual to the Possible VIII, 2024
Flashe vinyl acrylic on canvas 
60 x 48 inches
Courtesy of the Artist
Photo Yao Zu Lu

An abstract painting of a red gradient pattern of curved lines with a smooth, screen-like texture.

Alexander Puz

(California, USA, b. 1989, lives and works in Baltimore, MD)
Bridge From the Actual to the Possible IV 2024
Flashe vinyl acrylic on canvas 
60 x 48 inches
Courtesy of the Artist
Photo Chris Gardner