11 June - 17 August 2019
Mon - Sat, 11:00 am - 6:00 pm
Ford Foundation Gallery
320 E 43rd St, New York, NY 10017
Visitor info
Curated by Jaishri Abichandani and Natasha Becker
Exhibiting artists
- Sue Austin
- La Vaughn Belle & Jeannette Ehlers
- Maria Berrio
- Raúl de Nieves
- Omar Victor Diop
- Vanessa German
- Jah Grey
- Baseera Khan
- Thomas Lanigan-Schmidt
- McCallum & Tarry: Bradley McCallum & Jacqueline Tarry
- Rashaad Newsome
- Ebony G. Patterson
- Jody Paulsen
- Thania Petersen
- Lina Puerta
- Faith Ringgold
- Athi-Patra Ruga
- Nep Sidhu
- Rose B. Simpson
- Imani Uzuri
- Lina Iris Viktor
Through the theme of Utopian Imagination, the trilogy of exhibitions in the gallery's inaugural year create a trajectory toward a more just future. The first exhibition, Perilous Bodies (March 4 - May 11, 2019), examined injustice through the intersecting lens of violence, race, gender, ethnicity, and class. Radical Love responds to the first show by offering love as the answer to a world in peril.
Love, in the context of this exhibition, is defined by a commitment to the spiritual growth and interconnectedness of the individual, their community, and stewardship of the planet. Guided by the powerful words of bell hooks, “Were we all seeing more images of loving human interaction, it would undoubtedly have a positive impact on our lives.” The works in Radical Love are grounded in ideas of devotion, abundance, and beauty; here, otherness and marginality is celebrated, adorned, and revered.
The Utopian Imagination exhibition trilogy concept was developed by Jaishri Abichandani.
Essays from the curators
Radical Love by Jaishri Abichandani
An Ode to Love by Natasha Becker
Image: Athi-Patra Ruga, Umesiyakazi in Waiting, 2015. Courtesy of the artist and WHATIFTHEWORLD. Photo: Hayden Phipps
More from this exhibition
CHECKLIST
La Vaughn Belle & Jeannette Ehlers
b. 1974, Trinidad/Virgin Islands;
b. 1973, Trinidad/Denmark
I Am Queen Mary (A Hybrid of Bodies, Nations, and Narratives), 2019
HDU foam, acrylic polyurethane, acrylic, and coral stones cut from the ocean by enslaved Africans
84 x 47 x 60 inches
Bradley McCallum & Jacqueline Tarry
b. 1966, USA; b. 1963, USA
Evidence of Things Not Seen, 2008
Oil on linen, toner on silk
Dimensions variable
Athi-Patra Ruga
b. 1984, South Africa
Umesiyakazi in Waiting, 2015
Archival inkjet print
59 x 75 inches
Lina Puerta
b. 1969, Colombia/USA
Mēãbema, from the Botánico series, 2019
Mixed media
Dimensions variable
Maria Berrio
b. 1982, Colombia/USA
Nativity, 2014
Collage with Japanese paper, acrylic and watercolor paint, pencil, and rhinestones
48 x 60 inches
Ebony G. Patterson
b. 1981, Jamaica/USA
... she saw things she shouldn’t have ... for those who bear/bare witness, 2018
Jacquard-woven tapestry and mixed media on artist-designed fabric wallpaper
111 × 94 inches
Faith Ringgold
b. 1930, USA
Evelyn, 1978
Soft sculpture
35 1/2 x 8 x 8 inches
Suzanne, 1977
Soft sculpture
26 x 8 x 8 inches
Yvonne, 1978
Soft sculpture
36 x 8 x 8 inches
Rashaad Newsome
b. 1979, USA
#1st Place, 2016
Collage in custom frame with leather and automotive paint
72 ¼ x 72 ¼ x 4 inches
Look Back at It, 2016
Collage in custom frame with leather and automotive paint
80 3/8 x 78 3/4 x 8 inches
Jungle Gardenia, 2013
Custom vinyl wallpaper
(not pictured)
Baseera Khan
b. 1989, USA
Seat #14 [Feat.] and Seat #13 [Feat.], 2018
Prayer rugs, artist’s underwear, textiles
45 x 28 x 3 1/2 inches each
Jah Grey
b. 1991, Canada
Dancing in the Light, 2018
Video, 18:20 minutes
Jody Paulsen
b. 1987, South Africa
Find Your Gaggle, 2019
Felt collage
108 x 150 inches
Sue Austin
b. 1965, England
Creating the Spectacle!
Part 1: Finding Freedom, 2012
Video, 4:25 minutes
Thania Petersen
b. 1980, South Africa
IQRAA, 2019
Embroidery thread and fringe on cotton
69 x 42 inches
Raúl de Nieves
b. 1983, Mexico/USA
Fina Beauty and Fina Nurture, 2019
Vintage military suits, sequins, metal bells, thread, glue, cardboard, plastic beads, tape, trims, mannequins
Dimensions variable
Thomas Lanigan-Schmidt
b. 1948, USA
The Preying Hands: In a Little Corner Chapel to Mammon in the Cathedral of Moloch, Greed Makes Human Sacrifice Expedient Upon the Altar of Racism, Displacement and Gentrification, 1985
Mixed-media installation
Dimensions variable
Lina Iris Viktor
b. USA/England
Eleventh, 2018
24-karat gold, acrylic, ink, gouache, copolymer resin, print on matte canvas
65 x 50 inches
Vanessa German
b. 1976, USA
Notes on the Absence of Sacredness: How Little Black Girls Die, 2018
Mixed-media assemblage
77 x 30 x 18 inches
Nep Sidhu
b. 1978, England/Canada
Confirmation B, 2014
Ink on paper, aluminum, brass
90 x 90 x 5 inches
Rose B. Simpson
b. 1983, USA
Genesis Squared, 2019
Ceramic, steel, mixed media
81 ½ x 23 x 23 inches
Omar Victor Diop
b. 1980, Senegal
The Ibo Women’s War 1929, from the Liberty series, 2016
Inkjet print on Hahnemühle paper
47 x 64 inches
Imani Uzuri
b. USA
Hush Arbor: Wade (1, 2 & 3), 2019
Site-specific sound installation