Never The Same River

12 AUGUST – 5 DECEMBER 2026


A Black woman in a long and flowing, blue dress stands on a dirt pathway surrounded by a forest of tall, mossy trees. Her beaded hair drapes over her eyes, concealing most of her face.

Curated by Dexter Wimberly

Never The Same River, explores themes of bodily autonomy and human migration. The exhibition’s title draws on the famous remark attributed to ancient Greek philosopher Heraclitus that “No man ever steps in the same river twice.” This idea captures the show’s meditation on change and impermanence: just as rivers flow and bodies evolve, so too do our identities, perceptions, and environments. The river becomes a metaphor for transformation, an ever-shifting current that reflects the complexity of human experience and the impossibility of returning to a fixed state. 

At its core, the show considers how individuals assert agency over their own bodies in the face of cultural and systemic forces that seek to control or define them. Reflecting on the tension and trauma surrounding migration, whether by necessity or by choice, the movement of people coincides with histories of displacement, resistance, and resilience. Through photography, video, sculpture, and painting, the participating artists interrogate these narratives imposed on bodies and borders alike. Their works reveal how storytelling, whether personal or mythological, can challenge dominant ideologies and reclaim space for self-definition.

Together, the artists and their works confront illusions of the status quo with fluid, merging forms and scenes, expanding beyond disciplinary limits, while casting off frameworks projected onto both bodies and borders.

Image: Adama Delphine Fawundu. Ngewo Whispers, 2023. Courtesy of the Artist.

About the Curator

Dexter Wimberly is an American entrepreneur and curator based in Japan who has organized exhibitions in galleries and institutions around the world, including the Museum of Arts and Design in New York City; Green Family Art Foundation in Dallas; The Harvey B. Gantt Center in Charlotte; KOKI Arts and STANDING PINE in Tokyo; BODE in Berlin; Lehmann Maupin in London; SECCI in Milan; Efie Gallery; and The Third Line in Dubai.

Wimberly’s recent exhibitions include Derrick Adams: View Master on view at ICA/Boston, through September 7, 2026; The Shape of Things to Come at Efie Gallery in Dubai, UAE; A Material Dance: Lucio Fontana and Alteronce Gumby at SECCI in Milan, Italy; A Direct Response to Light: 21st Century Painting at ALEXANDER BERGGRUEN in New York City; and What is Possible, What is Promised at Galerie Isa in Mumbai, India. In 2023, Wimberly participated in Hauser & Wirth’s International Curatorial Residency Symposium in Somerset, England. His exhibitions have been reviewed and featured in publications including The New York Times and Artforum and have received support from The Andy Warhol Foundation for the Visual Arts and The Kinkade Family Foundation. Wimberly has been profiled in Elle Decor and Artnet News. He is a Senior Critic at New York Academy of Art and the founder and director of the Hayama Artist Residency and The Kyoto Retreat in Japan. Wimberly is the co-founder of Art World Conference and CreativeStudy. Prior to his curatorial career, he was the managing partner of the New York-based advertising and marketing agency August Bishop, representing a diverse array of clients including Adidas, The Coca-Cola Company, and HBO. 

KV Duong

Adama Delphine Fawundu

Brendan Fernandes

Elliot & Erick Jiménez

Anoushka Mirchandani

Edison Peñafiel

The full exhibition guide of Never The Same River is available on Bloomberg Connects. Explore the platform for a closer look at the works in the show, curatorial texts, accessible audio guides, and more.

Exhibition installation information

An entrance to the Ford Foundation Gallery with double glass doors with gold frames. To the left, a large photograph shows a person in a blue dress on a path in a dense, green forest. The right wall displays the gallery's name in black letters, and exhibition text with the title 'Never The Same River'.
Gold-framed glass doors leading into a gallery space. To the left, a yellow wall displays green text reading 'Never The Same River' and exhibition details. To the right, a white wall has black text for 'Ford Foundation Gallery' and a description. Inside, a framed painting artwork hangs on the red wall.
A gallery wall displaying a painting of mountains above a figure in water with blue geometric shapes. To its right, three ceramic pots are mounted on the wall, each with sheer, floral-patterned fabric in shades of purple, green, and blue draped to the floor.
A gallery exhibition displaying multiple artworks. On the left wall is a five-panel artwork with screen-prints over a reddish-orange backgrounds . On the right wall is a large flat screen playing a video of several people on a boat. On the gallery cement floor, two geometric chair sculptures stand on circular rugs.
A gallery interior with various artworks. A large, horizontal screen on the left wall depicts a grey-scale video of several people traveling on a river in a wooden raft-like structure. Two abstract wooden chairs with wide bases and narrow backrests sit on circular gray rugs in the center, and three smaller, dark framed artworks hang on the right wall.
Three dark framed artworks hang on a dark red gallery wall. Each artwork features an artifact juxtaposing ballet limbs against a dark background. Below them, a wooden sculptural chair with a triangular base and an angled backrest rests on a circular gray mat.
A museum gallery displaying two large installations. On the left, multiple screens show various images on a blue patterned wall, with a light wooden chair sculpture in the foreground. On the right, a dark wooden gothic pew connected to several framed paintings stands on a circular platform.
A gallery installation on a corner wall with blue and white patterned wallpaper that has a repeating border of hands extending towards the middle. There are various screens displaying images and videos of portraits, landscapes, and figures in water.
A gallery exhibition with various artworks. On the left, a blue wall installation displays multiple video screens. On the far wall, a dark wooden structure with painted canvases stands on a circular platform. In the center, two angular wooden chairs are on circular rugs, and on the right, three large vessels with flowing translucent fabrics stand beside a blue abstract painting.
An art gallery featuring three distinct installations on a dark red wall. On the left, an abstract painting depicts a person standing beside a lake, beneath a landscape of brown hills. In the center, three ceramic pots are mounted on the wall, with sheer, colorful fabrics appearing to pour from them onto the floor. To the right, five framed panels display dark, intricate designs against a vibrant red-orange background.
A gallery exhibition with various artworks. From left to right, there are three framed prints, two sculptural wooden chairs, a corner-wall installation with blue patterned wallpaper and various framed photographs, and an exit.
Installation Photos Sebastian Bach
A Black woman in a long and flowing, blue dress stands on a dirt pathway surrounded by a forest of tall, mossy trees. Her beaded hair drapes over her eyes, concealing most of her face.

Adama Delphine Fawundu

(b. 1971, Brooklyn, NY)

Ngewo Whispers, 2023
Archival pigment on Vibachrome
48 x 84 inches
Courtesy of the Artist

A six-panel artwork in dark wood frames, arranged in two rows of three. The top row features three paintings: a white-robed figure with a sword, a lamb with a halo and a chalice, and a dark figure holding a dagger. The bottom row has two paintings depicting golden root-like patterns and inverted figures in black and white, flanking a richly carved wooden structure.

Elliot & Erick Jiménez

(b. 1989, Miami, FL, live and work in Miami, FL and New York, NY)

Where Fertile Land Grows, 2026
Archival pigment prints on canvas, custom oak frames, integrated 19th-century French Gothic pew, acacia thorns, Swarovski crystals, cowrie shells, metal leaves, metal glitter, gold gilding
120 x 120 x 18 inches
Courtesy of the Artists and Spinello Projects

A large, tall abstract painting of a woman standing on a pier against a lakefront, and in the distance, a mountainous terrain.

Anoushka Mirchandani

(b. 1988, Pune, India, lives and works in New York, NY)

One More Look, 2026 
Oil, oil stick, oil pastel on canvas, walnut frame
88 x 66 inches
Courtesy of the Artist
Photo Sebastian Bach

Three unglazed ceramic pots mounted on a burgundy wall, each spilling a long, sheer fabric to the floor. The fabrics are painted with purple, green, and blue floral designs.

Anoushka Mirchandani

(b. 1988, Pune, India, lives and works in New York, NY)

The First Water is the Body, 2026
Unglazed ceramic, painted organza
Dimensions variable
Courtesy of the Artist
Photo Sebastian Bach

A five-panel series of tall prints on latex depicting a family photograph with various portraits of Asian men, women, and children collaged together; some figures repeating and mirroring across the work.

KV Duong

(b. 1980, Ho Chi Minh City, Vietnam, lives and works in London, United Kingdom)

Family Portrait, 2026
Ink and acrylic on latex, resin-fiberglass backing, painted wooden stretcher
78 x 212 ⅞ inches
Courtesy of the Artist and Pippy Houldsworth Gallery, London
Photo Sebastian Bach

A gray-scale image of a group of figures with stylized, pale masks on their faces, standing on a boat. The boat is partially submerged in wavy water, and a suitcase rests on top of the head of one of the figures.

Edison Peñafiel

(b. 1985, Guayaquil, Ecuador, lives and works in Miami, FL)

MARE MAGNVM: Passage, 2021/2026
Single-channel video adapted from the twelve-channel installation MARE MAGNVM
35:00, looped
Courtesy of the Artist

An abstract collage of pointed ballerina legs with African stone sculptures against a dark, textured background.
An abstract collage of a rusted metal sculpture with a handle, in which two white arms protrude angled downwards, tensely posed and pointed in a dancerly form.
An abstract collage of a muscular white arm connected to anAfrican artifact in the shape of a spade and made of earthen materials, against a dark, textured background.

Brendan Fernandes

(b. 1979, Nairobi, Kenya, lives and works in Chicago, IL)

Move in Place V, I, VII, 2015
Archival inkjet prints
30 ⅜ x 30 ⅜ inches each
Courtesy of the Artist and Monique Meloche Gallery, Chicago

A dark wood chair, composed of geometric shapes. A wide, angled block forms the base, topped by a triangular seat. Two long, angled wooden bars extend upwards from the seat, joined by a horizontal bar.
A sculptural wooden chair with a geometric design, facing towards the bottom left corner. It features a faceted, inverted pyramid base, a lighter triangular seat, and two slender wooden rods extending upwards from the back, each with a small peg.

Brendan Fernandes

(b. 1979, Nairobi, Kenya, lives and works in Chicago, IL)

Still Release II, 2019
Walnut
36 ½ x 20 ¼ x 31 ½ inches

Still Release III, 2019
Walnut
36 ½ x 16 x 33 ¼ inches

Courtesy of the Artist and Monique Meloche Gallery, Chicago
Photos Sebastian Bach

An art installation in a gallery corner featuring two walls covered in a blue, cloud-like patterned wallpaper. On the top and bottom border of the wallpaper are a row of hands extending towards the middle of the installation. Multiple framed images and tv monitors are displayed, and mounted so that each wall mirrors the other.

Adama Delphine Fawundu

(b. 1971, Brooklyn, NY)

Praise House series, 1998-2025
Archival inkjet prints, custom wallpaper
19 ½ x 54 ⅜ inches each frame
Courtesy of the Artist
Installation photo Sebastian Bach

A Black woman wearing a light blue patterned robe with wide sleeves and a cinched waist stands with arms outstretched and palms open. White paint covers her face as she stands on a beach under a pale sky.

Adama Delphine Fawundu

(b. 1971, Brooklyn, NY)

Vibrations from the Deep, 2025
Two-channel HD video
7:56
Courtesy of the Artist