Humid Traces

19 February – 20 June 2026


A gray-scale photo of South Asian teenage boys building pyramid structures out of bamboo sticks on a beach. Some boys are sitting down taking a break, and some are climbing and working on the tall structures that align the shore.

Curated by Federico Pérez Villoro

Humid Traces explores the ways in which bodies of water are turned into borders in the context of rising temperatures and extreme weather events. The show brings together a group of artists from around the globe whose work addresses the tactical use of water to reinforce artificial divisions of space. In doing so, they produce evidence on the violent effects of technologies used to control migration.

Through immersive installation, sound, photography, video, and data visualization, the artists’ practices offer multidisciplinary engagements with water’s material memory as a living record. They reorganize sensitive geographies of geological and human experiences, resourcing to our most intimate connections to water as an indivisible, shared mesh.

Image: Zishaan A Latif. The Edge, 2023. Courtesy of the Artist.

About the Curator

Federico Pérez Villoro is an artist and researcher based in Mexico City exploring the relationship between technology and political ecologies. His recent work investigates the ever-evolving morphology of the Rio Grande / Bravo and the shifting border between Mexico and the United States. His work has been exhibited at institutions such as Taipei Fine Arts Museum, Espacio Odeón, Centre A: Vancouver International Centre for Contemporary Asian Art, Palm Springs Art Museum, Museo de Arte Contemporáneo de Monterrey, Museo de Arte de Zapopan, and Museo de Filatelia de Oaxaca. He is the founder of Materia Abierta, a program on theory, art, and technology in Mexico City developed with Museo Universitario Arte Contemporáneo, Museo Tamayo, and Casa del Lago UNAM. He is a research resident at TBA21-Academy where he investigates access to fresh water in the Caribbean. In 2023, he received the Jumex Grant Program Award from the Jumex Arte Contemporáneo Foundation and the C/Change Fellowship from the Goethe-Institut and Gray Area in the United States. He has been a resident at Pivô Pesquisa and Capacete in Brazil and at OCAT in China. His writing has been published by NACLA Report on the Americas, Luna Córnea, ADOCS, DELUS, The Serving Library, Printed Matter, C Magazine, Gato Negro Ediciones, diSONARE, Walker Art Center, and Quinto Elemento Lab. Federico has taught at the Rhode Island School of Design and California College of the Arts and lectured at UC Berkeley, Massachusetts Institute of Technology, New York University, ETH Zurich, Rutgers University, CalArts, The New School, and Universidad Nacional Autónoma de México. 

Dele Adeyemo

Archivo Familiar del Río Colorado

Natalia Lassalle-Morillo

Zishaan A Latif

Caio Reisewitz

Susan Schuppli

Marisa Srijunpleang

Studio Folder

Leonel Vásquez

Pre-Registration Form:

All guests are required to pre-register for admission. Please submit your registration by 5:00PM EDT on the day prior to your desired visit.


Gallery Hours:

Monday – Friday: 11am-6pm
Saturday: 10am-4pm


Address:

320 East 43rd Street
New York, NY 10017

More information on visitor guidelines and accessibility can be found here

The full exhibition guide of Humid Traces is available on Bloomberg Connects. Explore the platform for a closer look at the works in the show, curatorial texts, accessible audio guides, and more.

Exhibition installation information

Outside of a gallery entrance, a bright lightbox displays boys assembling a tall bamboo structure on the shore of a beach.
An entrance to the Ford Foundation Gallery exhibition displaying the exhibition title “HUMID TRACES” and the list of artists in a standardized font. A bright lightbox of boys assembling a bamboo structure is hung on the middle wall next to glass doors.
An installation view of an art gallery showing from left to right: a white desk, exhibition didactic text, a row of seven forest prints, an illuminating bulb connected by a long rod, and a wooden wall construction with grey-scale lightboxes.
A gallery wall displaying exhibition text and two framed prints of a dark and saturated rainforest, one hung horizontally and one hung vertically.
A corner of a gallery with an illuminated glass bowl connected to a copper rod against adjoining walls displaying a row of seven prints of a rainforest
An installation view of a gallery exhibition displaying a corner of an assembled wall, introductory text, a row of seven photos of a rainforest, and a glass bowl sculpture.
An unfinished wall construction holding two light boxes. One lightbox displays the backs of two women in saris overlooking water. The other shows the legs of someone standing on a cliff’s edge.
A gallery exhibition showcasing several projections, light boxes within a wall construction, and a blue tapestry in the distance.
An art exhibition showcasing several projections, a wall construction with a lightbox, and in the distance, a blue tapestry and corner of a metal table.
A gallery interior showing a wall with a small video monitor and a white pyramid soft-sculpture atop a pedestal. Behind this wall stands a glass illuminating sculpture against a wall with hanging dark prints.
A gallery exhibition showcasing several artworks such as a metal table, a small monitor, a soft white sculpture, framed prints, a glass bowl, projection equipment hanging from the ceiling, and a rattan bench.
A diagonal view of a long metal table with a three-dimensional plaster model of a glacier. Six images of snowy alpines are hung behind the table. And a satellite sculpture stands to the right of the table
A snapshot of a gallery exhibition with the perspective above a metal and glass research table. Benches, projections, a side of a wooden wall, a lit-up table with found objects, and a video monitor are displayed in the distance.
An exhibition view of a metal table displaying research on alpines, a video monitor, and a white fluffy pyramid sculpture.
An exhibition with several artworks such as a white pyramid soft-sculpture, photographs, a glass bowl, and an industrial table with found objects.
A gallery view of several benches, projections, a side of a wooden wall, a lit-up table with found objects, and a video monitor.
An exhibition displaying an industrial table with found objects against an unfinished wall construction, a video monitor and wood bench, and corner of a curved blue tapestry.
A gallery exhibition featuring multiple industrial tables with archival and research objects. One table is against an unfinished wall construction. A soft-sculpture of a white pyramid is seen in the back.
A diagonal view of an art show displaying a projection onto an illuminated table full of sand, surrounded by a translucent blue tapestry. There are several benches, and multiple artwork installations in the distance.
A translucent blue tapestry curved in a moon like shape, creating an intimate room. A wooden table on top of an oblong pedestal stands in the center. The table, full of sand, shows a video projection.
Installation Photos Sebastian Bach
A gray-scale photo of South Asian teenage boys building pyramid structures out of bamboo sticks on a beach. Some boys are sitting down taking a break, and some are climbing and working on the structures.
A figure stands on a cliff’s edge. The ground is split in two and only below their knees is visible.
Two women wearing long headscarves and dresses stand together, looking out over a large body of water.

Zishaan A Latif

The Edge, 2023
Photography
Dimensions variable
Courtesy of the Artist

An illuminated light bulb attached to a copper rod is suspended above a glass bowl, both full of water.

Leonel Vásquez

Water Flute, 2023
Harmonic copper and glass flute, inverted bell glass bowl, light panel, wooden base, console and electric mechanic system
Dimensions variable
Courtesy of Casa Hoffmann
Photo Natalia Guzmán

Seven framed photographs of the Brazilian Amazon rainforest mounted in a horizontal line along two adjoining gallery walls.

Caio Reisewitz

ALTAMIRA, 2017
Inkjet prints on Hahnemühle paper
15 ¾ x 23 ⅝ inches each
Courtesy of Luciana Brito Galeria
Install photo Sebastian Bach

An installation featuring a three channel video projected onto vertical blinds as screens with a rattan bench in the center.

Natalia Lassalle-Morillo

Retiro, 2019
Three-channel synchronized video with sound, projected onto vertical blind curtains
43:00
Courtesy of the Artist
Install photo Sebastian Bach

An installation of a video next to a pile of feathery cone sculpture on top of a white cloth and gray pedestal.

Marisa Srijunpleang

Phaka Der Plaw, 2024
One-channel video
20:15

Bloom with the Wind Blows, 2024
Crown flower seeds on flat acrylic
23 ⅝ x 23 ⅝ x 17 ¾ inches

Courtesy of the Artist
Install photo Sebastian Bach

A long metal table with various research media, a three-dimensional plaster model of a glacier, and photographs of snowy mountain ranges.

Studio Folder

Italian Limes, 2014-2019
Multimedia installation: drawing machine with pen, map, historical documentation (field survey journals, atlases, photographs), and video projection on model
Dimensions variable
Courtesy of the Artists
Install photo Sebastian Bach

A table installation featuring an arrangement of texts, photographs, and archival objects concerning a desert environment.

Archivo Familiar del Río Colorado

¿Qué cementerio es este? (What cemetery is this?), 2025
Archival documents and photographs, video, riso brochure, fishing net, printed textiles, salvaged materials, compacted earth and cement, toy cars, rocks and organic material
Dimensions variable
Courtesy of the Artists
Install photo Sebastian Bach

A bustling street scene with a man pushing a cart of large baskets filled with ice. Vehicles and more baskets are seen in the busy and industrious background.

Susan Schuppli

Moving Ice, 2024
Video
48:39
Courtesy of the Artist

A sheer blue tapestry serves as the backdrop for an organically-shaped wooden table with branch-like legs, resting in sand. A video is projected onto the sand on the surface of the table.

Dele Adeyemo

Wey Dey Move: A Dance of the Mangroves, 2023
Installed with curtain fragment from The Cosmogony of (Racial) Capitalism
Wood, sand, and video projection
Dimensions variable
Courtesy of the Artist
Install photo Sebastian Bach